Looking for the Parasite
interview
Recentering The West
Henrike Naumann
review
Look at a car
Angharad Williams
review
Portal to a Place Beyond the Physical World
Sequoia Scavullo
review
The Body as a Material Mind
interview
Zukunft zwischen Plüsch und Brause
Tip of the Tongue
feature
All Those Doubleness
Nadia Perlov
feature
No Place for Our Quick Stuff
Eccentric 80s: Tabea Blumenschein, Hilka Nordhausen, Rabe perplexum, and Contemporary Accomplices
review
Texturen des Begehrens
Leda Bourgogne
review
Open Worlds
interview
A Red Blouse as a Glimpse of a World Looking Forward
Vienna Art Week 2022
review
Windows in our hands
Gwenn Thomas, with inserts by David Gruber and Alexander Jackson Wyatt
review
High Tides
Busan Biennale 2022: We, on the Rising Wave
review
Ticket of No Return
interview
What if we queer trust?
Protozone 8: Queer Trust
review
and I shall speak that sleepwalker’s language that would not be a language if I were awake
Lukas Müller: Good Morning, Have A Nice Day
feature
„Orbs und Souvenirs“
Das Flüstern und Flimmern eines Hauses im Schwarzwald
review
Der schöne Schein darf Luxus sein
Zur Ausstellungsreihe "Castle for Rent"
feature
A New Language
On Howardena Pindell
feature
A life-sparking breath
Alice Morey
review
Victoria's Secret
The Burnt Letters of Victoria
review
How to draw a family tree
Ian Waelder
review
Hors d’œuvre
Three Course Menu
review
A Smooth Exit from Eternal Inflation
Kay Yoon
feature
Saint Munditia's Teeth
feature
„Die Fotze anfüllen mit Scheiße“
Mire Lees Grenzgänge, Mütter und andere schmutzige Dinge im ZOLLAMT MMK
review
Beyond Limits 2
interview
Where we would be without
Yalda Afsah
review
Relocations
Maria Toumazou
review
Das Selbstportrait als Gegenstimme
Joanna Woś
review
Overacting
interview
How to face a c(h)risis
Samuel Baah Kortey
review
The Afterlife of Mourning
Daniel Lie
review
Reciprocity That Grooves
Flora Klein
review
Staging the Unseen
Carrie Mae Weems
review
Threatening Tips and Protective Films
Zuzanna Czebatul and Jobst Meyer
review
Something one tries to hide but at a certain point cannot be kept a secret anymore
Sandra Lahire and Celeste Burlina
review
Im Dazwischen Angekommen?
interview
„What’s Art Got to Do With it?“
interview
Das Persönliche und das Unpersönliche
interview
Körper, Kosmos, Sein. Stano Filko
review
Schuld ohne Sühne
Anmerkungen zur Gruppenausstellung “Schuldiger Realismus”
feature
A Fleeting Matter
On Rosemary Mayer
feature
„Ich“ kann nur ein Vorschlag sein – und die Kunst auch.
Iman Issa
review
Art You Love With
Jennifer Gelardo
review
Into the Bamboo Grove
Yong Xiang Li
review
Hommage an unsere Stadt am Main
RERESET
review
I'm With Her
Fuck Patriarchy Day 2022
feature
On painting, curating, and other artistic strategies
interview
Die elende Magie von Laurence Sturlas Maschinen
Through Tongue and Soil
review
What time is Chicago?
James Gregory Atkinson
review
Stuck in the Middle with You
Alex Chalmers
review
Realism without glamour
Sarah Rapson
review
AWAY FROM KEYBOARD
with Un-Zu Ha-Nul Lee, Julia Carolin Kothe and Mira Mann
feature
Work work work – bis du nicht mehr kannst!
High State of Performance
review
Ich traue meinen Augen nicht
Julian Heuser
interview
Vom Kompostieren oder der Utopie des Miteinander
Blockadia*Tiefsee
review
The Camera as a Means to Connect
Rob Crosse
interview
I'm With Her
International Women's Day 2021
feature
Eine Anleitung zur Dekolonisierung von Institutionen
Mahret Ifeoma Kupka
interview
Ballast der Republik
Ein Kommentar zum Berliner Schloss
opinion
Corona Chronicles
feature
Portikus Under Construction
Helke Bayrle
interview