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Knoten und Wege: BOOM TOWN, eine Ausstellung an und zwischen vier Orten

I’m fine ǝɯ ǝʌɐs save me ǝuıɟ ɯ,ı: Rachel Maclean in der Kunsthalle Giessen

L'agent d'art: The conceptual world of Ghislain Mollet-Viéville

The Eternal Burden: Landscapes of an Ongoing Past by Urbane Künste Ruhr

Visiting the Guest Room: Encounters with the unusual everyday at Sammlung Pohl Marburg

Sonic Sooth: Fragments of Sonic Extinction at NEBYULA

Parzellierung: Sung Tieu bei Trautwein Herleth

Walking with Eva Eisenlohr: Maximiliane Baumgartner at the Biennale für Freiburg 2

opferblech: Toni Schmale at basis

TALKING OBJECTS

Wissen dekolonialisieren und Archive herausfordern

Keine leichte Sache. Lin May Saeed in der GAMeC

Resurrected in Times of Need: Jenine Marsh at Ashley Berlin

Strudel and Melancholia: Re-reading the 9th Biennale Gherdëina

Swimming Upstream. The Way of the Water, Tangente St. Pölten

Marking One’s Territory: VALIE EXPORT at C/O Berlin

The movable type

Kay Rosen – Now And Then

Vampire Facelift

Teodora Talhoș in conversation with Daniela Kneip Velescu

Notes on Shared Realities: Eine Ausstellung in zwei Kapiteln in Frankfurt

Hidden in plain sight. Daniel Moldoveanu at GROTTO, Berlin

Ethereal Dissonance, Aspiration Unbound

Vivien Kämpf in conversation with Ming Yuan

In Hülle und Fülle: Kenny Dunkans hybride Räume

Camping Out: The Uncanny Slips in ‘The Zone of Interest’

Antarctica as terrestrial crisis room. Esteban Sánchez at Matjö

What remains after the flood

Nikita Kadan at 91 Galerie in Frankfurt

Auf der Zungenspitze: Raum, Körper und Sprache in der Ausstellung „Maruša Sagadin. Luv Birds in toten Winkeln“

Die Grenzen universitärer (Wissens)Räume: Kunst am Bau von Raqs Media Collective

Spuren rassistischer Gewalt

Henrike Naumanns Rauminstallation ,14 Words'

Angesichts dessen

VIS-À-VIS von Živa Drvarič und Daniel Stubenvoll

Loss of lightness

Exposure / Double Exposure

Lampen-Kompositum

Lampenausstellung

Unveiling The Abyss. Sibylle Ruppert's Spectrum of Violence

Sibylle Ruppert – Dancing in Darkness

Urban Infiltrations

An editor's pick of three art interventions in public space in 2023

The Voluntary Chancellor

Alix Di Jusco in conversation with Ayla Pierrot Arendt

Bridging Histories: Künstlerische Begegnungen in der Kunsthalle Mainz

Haunting Legacies of Social Realism

Ciprian Mureşan and Şerban Savu’s Revisions of Memory

With(out) Words

Die Ausstellung „Words Don't Go There“ im Kunstverein Braunschweig

Dreaming Buried Promises Anew at the 35th Ljubljana Biennale

PARK – A Negotiation of History Through Space

Stories told from the cracks of a house

Tolia Astakhishvili

Operative Trace

The conspiratorial art of Andrej Škufca

mental furniture (of illiberal dreams)

Illiberal Lives

Dreaming of Heffalumps: Upholstered Anxieties

Gina Fischli – Rabies Babies

Careful Transgressions

When? Where? By Whom? For Whom? Why? How?—Thinking about Caring and Motherhood through Contemporary Art

The double is a double in two directions

All Fanced Up and Nowhere To Go

Andy Fitz – Stumped! Again!

On the Threshold of Now and (potentially very) Soon

On the Art Encounters Biennial in Timișoara

Splice and Foam

halbe sachen, Tom Hardwick-Allan & Stanislava Kovalcikova

Reverberating Ioannina

Looking for the Parasite

Recentering The West

Henrike Naumann

Angharad Williams

Portal to a Place Beyond the Physical World

Sequoia Scavullo

The Body as a Material Mind

Zukunft zwischen Plüsch und Brause

Tip of the Tongue

All Those Doubleness

No Place for Our Quick Stuff

Eccentric 80s: Tabea Blumenschein, Hilka Nordhausen, Rabe perplexum, and Contemporary Accomplices

Texturen des Begehrens

A Red Blouse as a Glimpse of a World Looking Forward

Vienna Art Week 2022

Windows in our hands

Gwenn Thomas, with inserts by David Gruber and Alexander Jackson Wyatt

Busan Biennale 2022: We, on the Rising Wave

Ticket of No Return

What if we queer trust?

Protozone 8: Queer Trust

and I shall speak that sleepwalker’s language that would not be a language if I were awake

Lukas Müller: Good Morning, Have A Nice Day

„Orbs und Souvenirs“

Das Flüstern und Flimmern eines Hauses im Schwarzwald

Der schöne Schein darf Luxus sein

Zur Ausstellungsreihe "Castle for Rent"

On Howardena Pindell

A life-sparking breath

Victoria's Secret

The Burnt Letters of Victoria

How to draw a family tree

Hors d’œuvre

Three Course Menu

A Smooth Exit from Eternal Inflation

Saint Munditia's Teeth

„Die F**** anfüllen mit Sch****“

Mire Lees Grenzgänge, Mütter und andere schmutzige Dinge im ZOLLAMT MMK

Beyond Limits 2

Where we would be without

Das Selbstportrait als Gegenstimme

How to face a c(h)risis

Samuel Baah Kortey

The Afterlife of Mourning

Reciprocity That Grooves

Staging the Unseen

Carrie Mae Weems

Threatening Tips and Protective Films

Zuzanna Czebatul and Jobst Meyer

Something one tries to hide but at a certain point cannot be kept a secret anymore

Sandra Lahire and Celeste Burlina

Im Dazwischen Angekommen?

„What’s Art Got to Do With it?“

Das Persönliche und das Unpersönliche

Körper, Kosmos, Sein. Stano Filko

Schuld ohne Sühne

Anmerkungen zur Gruppenausstellung “Schuldiger Realismus”

A Fleeting Matter

On Rosemary Mayer

„Ich“ kann nur ein Vorschlag sein – und die Kunst auch.

Art You Love With

Jennifer Gelardo

Into the Bamboo Grove

Hommage an unsere Stadt am Main

Fuck Patriarchy Day 2022

On painting, curating, and other artistic strategies

Die elende Magie von Laurence Sturlas Maschinen

Through Tongue and Soil

What time is Chicago?

James Gregory Atkinson

Stuck in the Middle with You

Realism without glamour

AWAY FROM KEYBOARD

with Un-Zu Ha-Nul Lee, Julia Carolin Kothe and Mira Mann

Work work work – bis du nicht mehr kannst!

High State of Performance

Ich traue meinen Augen nicht

Vom Kompostieren oder der Utopie des Miteinander

Blockadia*Tiefsee

The Camera as a Means to Connect

International Women's Day 2021

Eine Anleitung zur Dekolonisierung von Institutionen

Mahret Ifeoma Kupka

Ballast der Republik

Ein Kommentar zum Berliner Schloss

Corona Chronicles

Portikus Under Construction